KAPUSTIN ETUDE OP.40 PDF

Abstract (summary): Nicholai Kapustin (), a Ukrainian composer whose music amalgamates the Western classical tradition with jazz. Nicholai Kapustin’s Eight Concert Etudes, Op. Reflections on Analysis, Practice, and Performance by. Akane Megumi Okamoto. A thesis submitted in. The music of Nikolai Kapustin has made a minor flurry in the classical music His Eight Etudes, Op, partake of the 19th-century tradition of the concert-etude .

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Concertino for piano and orchestra Op.

Jacopo Giacopuzzi

Sonata for viola and piano Op. The lack of thorough research and related literature on his works, combined with the difficulty of obtaining his compositions in the West, make this study relevant and a pertinent start to shed more light on the composer and make his works more approachable for contemporary pianists and jazz connoisseurs alike.

Hyperion offers both CDs, and downloads in a number of formats. Three Impromptus for piano Op. Toccata for piano and orchestra Op. Violin Concerto Op. Berceuse for piano Op. Suite In the Old Style for piano Op. Ten Inventions for piano Op. Elegy for cello and piano Op. Concerto for kapusstin and symphony orchestra Op. Rondoletto for piano Op. He has written 20 piano sonatassix piano concertiand other compositions for ensembles such as five saxophones and an orchestra Op.

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The purpose of this study is to facilitate further understanding of Kapustin’s works and his mature writing style, and to discuss how these etudes contribute to the existing piano etude repertoire, thus promoting their future accessibility and performance. Sonatina for piano Op.

Dialogue for solo piano Op.

in – Etude Op No.3 | Jacopo Giacopuzzi

Countermove for piano solo Op. Don’t show me this message again.

Two-movement Concerto for orchestra Eyude. String Quartet Op. Sonata for flute and piano Op. Nobody is perfect for piano solo Op. Holy Cow for piano solo Op. March for orchestra Op.

Kapustin’s etudes are innovative and noteworthy in that his fusion of classical form with kapustim idioms of jazz and rock, combined with the technical demands expected of a standard study, have not been previously characteristic of the genre.

Recommended Citation Wang, R.

Jazz Concert Etudes (8) for piano, Op. 40

The compositions of Nikolai Kapustin born are almost all for pianoeither solo or accompanied. Sleight of Hand for piano solo Op. Ten Bagatelles for piano Op. These two sets of etudes, representative of Kapustin’s unique style, will be examined as a novel, and hopefully accessible, kaputsin to the pianist’s etude repertoire.

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Jazz Concert Etudes (8) for piano,… | Details | AllMusic

Variations on etudf Georgia Brown” for viola, alto-saxophone, piano and bass Op. Three Etudes for piano No. Tonwiederholungen springen von einem Register zum anderen und erinnern an die wohlerzogenen Synkopen aus Gershwins Rhapsody in Blue. Introduction and Scherzino for cello solo Op. The recording is characteristic of Hyperion’s piano sound at its considerable best.

Scherzo for piano Op.

Twenty-Four Preludes for piano Op. A Little Duo for flute and cello Op. Two Etude-like Trinkets for piano Op. Triptych for two pianos, four hands Op. Six Little Preludes for piano solo Op. Divertissement for two flutes, cello and piano Op.

Sonata for violin and piano Op.